In my studio I have a custom Conrad Monoprint Press on which to play, experiment, and create. Through relief printing I am able to make multiple images from one matrix, but while they might be similar they are each unique because each time I transfer the paint or ink to paper the results are distinct, not an exact replica. It takes skill and patience to create a monoprint as the artist is painting in reverse ﹘ a relief print is essentially mirror image to what is on the form or plate.
Techniques for transferring the painted image under pressure to the paper vary, which is another part of printmaking I really enjoy. It is possible to create different images by using techniques such as Collagraph, Collage, and hand painting as well as by altering the type, colour, and viscosity of the inks or Oils/Acrylic/Watercolor paints. I enjoy the challenge of creating beauty from so many possible variables and my love for colour is perhaps bordering on obsession. When I print editions I carefully choose from my collection of printmaking, handmade, and specialty papers that I have sourced from around the world. Each time that I pull the first print of any series it is like Christmas and I cannot wait to see what is under the press blankets. My work is always an original that cannot be duplicated with a paint brush.
Portfolio Website HERE